I assume the artistic practice through the contemplation of the environment around me. The landscape—always shifting, always becoming something else—is the material through which I confront memory. Having lived across different territories has taught me that identity is not a fixed center, so I avoid trying to hold anything still; I’m drawn to what changes, what moves, what rearranges itself. I work with photography, video, thread, and text to explore how territory, society, and personal history intertwine and reshape the way I inhabit and understand the world. I try not to rest on what is permanent, but to attend to the dialogue between what I remember and what the landscape offers me in the present. In that exchange, new forms of relating to unfamiliar territory emerge: fragments of landscape and history that connect, an inner world that reorganizes, images that open new configurations of the real. My work arises from this mixture—territorial, emotional, temporal—to reflect on identity, memory, survival, and landscape as a geography in motion.
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